The Last Jedi is either your favorite of the Star Wars sequel films, or your least favorite. It’s hard to imagine it being anyone’s second favorite. I personally think it’s the third best Star Wars movie overall, after The Empire Strikes Back and A New Hope, and a lot of critics agree: it has a 91 percent “Fresh” rating on Rotten Tomatoes… but only a 42 percent “Audience Score.” That’s even lower than The Rise of Skywalker, the clumsy conclusion to the Skywalker saga. The Last Jedi inspired a backlash from very online Star Wars fans who did not enjoy Luke being a crank, among other supposed misdeeds, but writer and director Rian Johnson is still proud of his vision, as he should be.
“I’m even more proud of it five years on. When I was up at bat, I really swung at the ball,” the Glass Onion: A Knives Out Mystery filmmaker told Empire. “I think it’s impossible for any of us to approach Star Wars without thinking about it as a myth that we were raised with, and how that myth, that story, baked itself into us and affected us.” He continued:
“The ultimate intent was not to strip away – the intent was to get to the basic, fundamental power of myth. And ultimately I hope the film is an affirmation of the power of the myth of Star Wars in our lives.”
The Last Jedi has a auteur-like vision, which is not something you often get from blockbusters these days, let alone a Disney movie. Also: porgs. It’s hard to believe that anyone could hate The Last Jedi when it gave us porgs. And “let the past die…” and the throne room scene. But mostly the porgs.